Paddington (Ben Whishaw) swaps the bathroom basin for the Amazon basin in this Peru-based romp that sends a series already past its prime further south.

The Paddington films bear a surprising resemblance to the Terrifier movies, in quality if not in content; a sparky original with a unique point of view, an insubstantial sequel, and a third chapter running out of steam. Paddington in Peru is at its best when exploring its immigrant themes, but is bogged down by a meandering plot that could be from any other franchise (apart from Terrifier).

The generic treasure map story leaves the Browns looking lost in inconsequential situations, none of which feel particularly Paddington territory. The villains have also become less threatening and more cuddly with each instalment, with Olivia Colman and Antonio Banderas lacking the zeal of Nicole Kidman or Hugh Grant.

The film suffers further without Sally Hawkins as Mary Brown, though not through any fault of her replacement Emily Mortimer. Hawkins leaves big boots to fill and her absence is felt, largely because Mary spends the whole movie concerned that her family feels distant. Maybe they’re wondering who you are.

Paddington in Peru eventually lands on a thematically resonant ending after a circuitous story, laboured gags and contrived plot developments that leave the characters rolling their eyes. The result is like falling asleep on the train; you are pleased to arrive at your destination, but with no memory of how you got there.