Video Nasty 11: Cannibal Ferox
1981 Italian nasty Cannibal Ferox (which could be the name of an American news anchor, like Wolf Blitzer) follows an academic (Lorraine De Selle) who heads into the Amazon to […]
Author Archives: Dan Meier
Fatal Attraction
Glenn Close goes hopping mad in the thriller that spawned countless copycats and the expression “bunny boiler,” while the word “myxomapsychosis” sadly never caught on. Fatal Attraction isn’t the first […]
The Godfather Part III
Michael Corleone (Al Pacino) is back in another variety of chairs in this, the Godfather of disappointing movies. Just when Francis Ford Coppola thought he was out (having bought a […]
High Life
A group of criminals (including Robert Pattinson, Mia Goth and André 3000) are sent into space to extract an alternative energy source from a black hole while a perverted doctor […]
Philip Glass – The Bowie Symphonies
This year Glass finally completes a long-running trilogy, and for once I’m not talking about M. Night Shyamalan. The twist here is that Philip Glass’ third David Bowie symphony (‘Lodger’, […]
Edvard Munch: Love and Angst
Until 21st July the British Museum plays host to the work of the Norwegian expressionist best known for The Scream (1893), which would eventually inspire the greatest film ever based […]
Snowpiercer
Chris Evans stars in this post-apocalyptic sci-fi set on a train that never stops running. Told you it was sci-fi. This 2013 tracktion movie follows the revolutionary lower-class tail-section passengers […]
The Curse of La Llorona
Everyone’s favourite extended universe is back! But enough about Avengers: Endgame, here’s the new instalment in the Conjuring franchise. Producer James Wan has spent the last 6 years making monsters […]
Unicorn Store
Netflix might downplay the role of artificial intelligence in commissioning its content, but knowing that AI played even the slightest part in greenlighting Brie Larson’s Unicorn Store is reason enough […]
Three Colours: White
The second part in Krzysztof Kieślowski’s Three Colours trilogy (where each film represents a principle of the French Revolution) stands for equality, and follows a divorced man (Zbigniew Zamachowski) who […]
Screen Goblin 