Under The Sea Part 8: Das Boot
No submarine film series would be complete without Das Boot, the 3.5 hour German epic from 1981. Directed by Wolfgang Petersen, Das Boot explores life onboard a U-boat during the Second World […]
Tag Archives: Dan Meier
Under The Sea Part 6: The Bedford Incident
This 1965 cold war classic follows the ruthless captain (Richard Widmark) of the USS Bedford as it hunts down a Soviet submarine. Near the Greenland fjords, two outsiders join the […]
Under The Sea Part 4: Below
Set during World War II, 2002’s Below takes place on board an American submarine ordered to find survivors from the wreckage of a British ship. They pick up some Brits representing both […]
Under the Sea Part 2: James Bond
Submarines were all the rage during the Cold War. You don’t hear so much about them these days, I hope they’re doing alright. The franchise that so glamourously put the […]
On iPlayer: Poltergeist
Written and produced by Steven Spielberg but directed by Tobe Hooper, Poltergeist is the story of the Freeling family whose house is possessed by – get this – a poltergeist. This is […]
Insidiots
Cast your minds back to this time last month. David Cameron welcomed the proposal of 10 year prison sentences for benefit frauds, people all over the country stood in queues […]
The Wolf Man and Other Tails
At one point during the screening of 1941’s The Wolf Man, the guy in front of me dropped some popcorn on the floor, scooped it up and ate it. It’s as […]
Blog: We Saw Them Here First
There are lots of great actors out there who aren’t always in great films. Robert De Niro’s most successful film isn’t The Godfather 2, Taxi Driver or Raging Bull but Meet […]
Filth
Perhaps the best thing to happen to British cinema over the last couple of years is the way in which James McAvoy seems to have replaced Ewan McGregor. Here McAvoy […]
Outlaw
Reviewing a Danny Dyer film is like reviewing a nosebleed. It’s bloody pointless and bloody unpleasant. Outlaw is writer/director Nick Love’s fourth collaboration with Danny Dyer, the poor man’s hard man. […]
