Valkyrie
Based on a true story, this is about the 1944 plot to kill Hitler and the rebels’ subsequent attempt to seize control of Nazi Germany, oblivious to their failed assassination […]
Tag Archives: review
Mirai
My Neighbour Totoro meets Addams Family Values in this Japanese tale of a young boy’s jealousy towards his new baby sister, until the family dog sees fit to intervene in […]
It Chapter Two
The It crowd is back (the coulrophobic rather than transphobic one) to battle an evil clown in It Chapter Two, or The Continued Decline of James McAvoy. 27 years after […]
Inna de Yard
From the director of Hannibal Rising comes another movie about going back to one’s roots, in this case a reggae supergroup (including Ken Boothe, Kiddus I, Judy Mowatt, Winston McAnuff […]
Wanted
Human Googlewhack Wesley (James McAvoy) hates his job, his boss (Lorna Scott), his best friend (Chris Pratt) and his life, so when he’s approached by Trinity (Angelina Jolie) and Morpheus […]
Minimalism: A Documentary About the Important Things
This documentary follows people who have chosen to climb down the corporate ladder and embrace a life of minimalism, in which every possession and action is justified in terms of […]
FrightFest 20: A Good Woman Is Hard to Find
It’s grim up north(ern Ireland) in Abner Pastoll’s thriller about young widowed mother Sarah (Sarah Bolger) whose home is invaded by a drug dealer (Andrew Simpson). This Belgian-Northern Irish co-production […]
FrightFest 20: Tales From the Lodge
A group of friends gather in the English countryside to scatter their friend’s ashes in horror anthology Tales From the Lodge. Writer/director Abigail Blackmore won this year’s Screen International Genre […]
FrightFest 20: The Black String
Malcolm in the Middle has a diddle and ends up riddled in this new chiller soon available at Lidl. Probably. After an advert for a dating service appears to address […]
FrightFest 20: Rabid (2019)
Today we go from rabbits to Rabid with the Soska Sisters’ remake of David Cronenberg’s classic armpit horror. “Why do we keep remaking old trends?” asks the self-referential opening line, […]
Screen Goblin 