Woody Allen: A Double Bill – Part 4: Cassandra’s Dream Master
As usual, here’s one of Woody Allen‘s best films and one of his worst films. Don’t you even know that yet? I do. Sleeper (1973) Allen’s versatility as a filmmaker continues […]
Tag Archives: Dan Meier
Shallow Grave
I love Danny Boyle. He makes consistently great movies, turned down a knighthood and seems like one of the nicest people in the world; so much better than his brother […]
Teeth
Teeth is one of those films, like The Human Centipede, which gained immediate notoriety thanks to its shocking premise. But once you delve deeper inside this 2007 comedy/horror film, it’s a lot […]
Nebraska
Woody Grant (Bruce Dern) is a white-haired, dodgy-hipped, almost-senile old man who gets taken in by a scam and becomes convinced that he’s won a million dollars. His son David […]
Homefront
Not to be confused with the American TV show Homeland, the British TV show Homefront or the hardware/garden shop Homebase, this is the Jason Statham movie Homefront. The screenplay is by Sylvester Stallone, who […]
Woody Allen: A Double Bill – Part 3: Cassandra’s Dream Warriors
As my co-goblin Alex completes his Spike Lee journey, similarities between Spike Lee and Woody Allen emerge. Both are auteurs, generally writing, directing and even starring in their own movies. […]
Saving Mr. Banks
As an experiment, myself and my co-goblin Alex are writing this review between us, but you’d never tell because we’ve made it appear seamless using goblin magic. So, 50 years […]
On iPlayer: Carnage
For the next four days you can watch Carnage on iPlayer, Roman Polanski’s 2011 adaptation of Yasmina Reza’s play God of Carnage. The film opens with an altercation between two kids, then moves […]
A Spike Lee Joint: Inside Man
When a masked criminal (Clive Owen) robs a New York bank, it’s up to a seasoned hostage negotiator (Denzel Washington) and his young partner (Chiwetel Ejiofor) to foil “the perfect […]
Suffergettes
Yesterday there was an interesting article on the Independent website, which is surprising enough in itself these days. It was a piece by Harriet Williamson about misogyny in horror films, which […]
Screen Goblin 