The Curse of La Llorona
Everyone’s favourite extended universe is back! But enough about Avengers: Endgame, here’s the new instalment in the Conjuring franchise. Producer James Wan has spent the last 6 years making monsters […]
Tag Archives: review
Memoirs of a Geisha
A young girl, Chiyo (Suzuka Ohgo), is sold to a Kyoto geisha school by her struggling parents where she’s kept as a slave, eventually becoming a top geisha, threatening the […]
Unicorn Store
Netflix might downplay the role of artificial intelligence in commissioning its content, but knowing that AI played even the slightest part in greenlighting Brie Larson’s Unicorn Store is reason enough […]
Aliens
Fifty-seven years after Ripley (Sigourney Weaver) last thwarted the xenomorph she’s found alive floating through space. But her nightmare is only just beginning as she discovers her daughter is dead […]
Shen Yun at the Hammersmith Apollo
An evening of traditional music, dancers and singers from the Shen Yun school of performing arts. The dancing combines the elegance of ballet with the athleticism of gymnastics, all in […]
Avengers: Endgame
Since Iron Man first massacred those Afghans back in 2008, all manner of phenomena have come and gone: The DC Universe. Star Wars. Brexit. The MCU has survived them all, […]
Fiddler on the Roof
Actor, writer, director and magician Andy Nyman adds another string to his bow as Tevye in Fiddler on the Roof at London’s Playhouse Theatre. Nyman (Ghost Stories, Dead Set) steps into […]
Hellboy (2019)
Imagine if instead of making The Return of the King, New Line had started a new Lord of the Rings trilogy, featuring Milla Jovovich and a song by Muse. That’s […]
Dracula Untold
There have been many, many big-screen incarnations of Bram Stoker’s blood-sucking bat-man, but precious few of them have tackled his origins. Enter Dracula Untold, which takes us back to when […]
Greta
Chloë Grace Moretz is stalked by Isabelle Huppert in Neil Jordan’s Greta, AKA FatElle Attraction. At his best the Crying Game director is a filmmaker unconstrained by genre trappings, which […]
